A 19th-century expedition to the Earth's core reveals primordial wonders, prehistoric monsters and a subterranean civilization that may convey the greatest discovery of all.

Paige, an introverted, unassuming young woman spends her days setting up people's life insurance in a drab North London call centre. She is bored of her life, longing for intimacy and connection that she unexpectedly finds on the phone to a charming customer called David. Convinced there was something between them she decides to break the rules to go and find him. An adventure first fuelled by loneliness and lust turns into something much darker when Paige finds herself out of her depth with a total stranger.

Pure fantasia, a race to save the world from a fatal heart attack, juxtaposed against a love rivalry between two brothers - a mortician and an actor playing Christ - for the heart of a scientist studying the earth's core.

Ji Sun Woo is an associate director of a family clinic with a perfect life—a great career, married to a handsome, young-looking man, mother to an adoring son, and surrounded by seemingly caring friends. She couldn't be more content. Lee Tae Oh, her husband, is an aspiring movie director. However, when his temptation leads him to betray Sun Woo along with the people around her, she gets driven to revenge. The perilous twists-and-turns of a married couple's life unfolds.

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While waiting for the end of the world, Max and Norbert chat.

THE EDGE OF THE WORLD gives a unique insight into the work of Tim Winton, one of Australia’s finest authors. By 1998, when this film was made, Winton had already won the Miles Franklin Award twice (for Shallows, 1984 and Cloudstreet, 1992) and been shortlisted for the Booker Prize for The Riders (1995). In THE EDGE OF THE WORLD, shot partly on the magnificent coast and hinterland of Australia’s north-west, Winton talks frankly about his work, his influences and what drives him.

Maria is the wife of self-styled naturalist Mathius. Alas, Maria's husband spends more time with his beloved woodland creatures than with her. Yearning for a visit to the Big City, Maria leaves herself wide open for disillusionment and heartbreak.

Julio returns with his family to Argentina after the downfall of the brutal dictatorship that overpowered long-standing democracy. Things soon take an ugly turn as his brother is kidnapped and Julio becomes the lead negotiator with the criminals.

When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.